Sunday, September 16, 2018

Passion, Perversity and Poe - An Introduction



Edgar Allan Poe (January 19, 1809 – October 7, 1849) was an American author, poet, editor and literary critic, considered part of the American Romantic Movement best known for his tales of mystery and the macabre. Credited to be the inventor of the detective fiction genre, Poe has been regarded as one of the earliest American practitioners of the genre of short story. He has also significantly contributed to the then emerging genre of science fiction now known also as Sci-fi literature. The first well-known American writer who endeavored to earn bread and butter by writing alone, Poe had to live a financially difficult life and career. He was born as Edgar Poe in Boston, Massachusetts; he was orphaned young when his mother left for heaven shortly after his father abandoned the family. Poe was taken in by John and Frances Allan, of Richmond, Virginia, but he had never been formally adopted by them. He studied at the University of Virginia for one semester but had to leave due to financial scarcity. His publishing career commenced modestly, with an anonymous collection of poems, ‘Tamerlane and Other Poems’ (1827), credited only to "a Bostonian".

Poe channelized his attention to writing prose and spent the next numerous years working for literary journals and periodicals. Gradually he managed to earn repute for his own style of literary criticism. His work compelled him to be a wanderer by moving among several cities, including Baltimore, Philadelphia, and New York City. In Baltimore in 1835, he tied wedlock with Virginia Clemm, his 13-year-old cousin. Later, in January 1845 Poe published his poem, ‘The Raven’ which became an immediate hit. His wife died of tuberculosis two years after its publication. He began planning to produce his own journal, The Penn (later renamed The Stylus), though he died before the journal could see the light of day. On October 7, 1849, at age 40, Poe died in Baltimore; the cause of his death is unidentified and has been variously attributed to alcohol, brain congestion, cholera, drugs, heart disease, rabies, suicide, tuberculosis, and other agents. The mystery surrounding Poe’s death has led to many myths and urban legends. The reality is that no one knows for sure what happened during the last few days of his life. From alcoholism to rabies, myriad possibilities have been checked for his death time and again. His life was finally an enigma. No wonder why Poe’s stories pertain to mysteries of life and death.

Thematic concerns in his stories range from abnormalities of human behavior, untimely and enigmatic death of characters, physical and psychological abnormalities, guilt-ridden conscience, incest, cryptic messages, horror caused by ghostly appearances, inexplicable incidents like the collapse of a house, hallucinations, detection of crime and culprit, perversion, so on and so forth.

1. ‘The Tell-tale Heart’
It is a horrific tale of an old man with a ‘vulture eye’ who is murdered; yet, his heart seems to keep on beating. To the reader’s utter shock, he assassinates the old man to get rid of his evil eye. It can be interpreted as the voice of his tormenting conscience which doesn’t allow him a breath of relief. Ultimately, he fails to suppress the crescendo of his nagging soul and blurts out his crime inadvertently.

2. ‘The Black Cat’
It is a story of guilty murderer who breaks down and reveals himself. It is the height of human perversion that the man who once loved animals so dearly gets infuriated by a tiny gesture of a cat and kills the poor innocent creature. Caught in the tentacles of his own devilish soul, he brings another cat and ultimately he can’t help but brutally murder the cat as well as his own wife. The first person narrative gives it a touch of authenticity. Poe’s signature style of gruesome acts and macabre atmosphere makes it one of his most memorable stories.

3. ‘The Fall of the House of Usher’
The story has a narrator who is invited to see his old childhood friend at his isolated abode. What follows is a series of fantastic ideas – such as Usher believing everything in the house to have ‘sentience’, coupled with the impending death of his sister. Critics have focused on the possibilities of the theme of incest in this story.

4. ‘The Purloined Letter’
It is an early forerunner of the modern detective story. It tells the tale of a woman of royalty who is blackmailed by a cabinet minister.

5. ‘The Cask of Amontillado’
It is about Fortunato who has insulted the narrator and now he is out to avenge it. He cajoles Fortunato to come to his home as a connoisseur to check the veracity of a rare brand of Amontillado. The narrator leads Fortunato deeper and deeper into the graveyard, getting him drunker and drunker along the way. The narrator chains Fortunato until he begs for mercy. After Fortunato cries out Montresor’s name, Montresor walls Fortunato alive. Then Montresor finishes the job and leaves him there to die. What we hear at last is Fortunato’s cry for help and the recurrent mention of Amontillado. It is a startling story of how much one can get offended by a friend’s taunting remarks and to which extent one can go to avenge his humiliations.

6. ‘The Gold Bug’
It is a story of William Legrand who was stung by a gold-colored bug. His servant, Jupiter, doubts that Legrand is probably turning insane and seeks help of Legrand’s friend, an unnamed narrator. He consents to come to his old friend’s home. Legrand pulls the other two into a thrilling enterprise after decoding a secret message that will lead to a buried treasure. With the theme of cryptography, the story is a forerunner of the genre which is now known as detective fiction.

 Edgar Allan Poe is considered a father figure for the genre of short story as he was one of the earliest writers of short fiction. Despite being a poet, editor and literary critic, his prime contribution has been to the formation of short story in America. Generations after generations of writers in the world have been inspired and influenced by his theory of short story and by his stories as well. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead and mourning. Poe's early detective fiction tales featuring C. Auguste Dupin laid the groundwork for future detectives in literature.

 Pre-Thinking Task:-
With this information in mind, it's time to take a plunge into our mind. Close your eyes, take a deep breath and ponder over your behavior patterns, brightest and darkest sides of your personality etc and answer the following questions with utmost sincerity, brutal honesty and absolute objectivity.

Questions:-
01. Recollect a moment of your life when you were at the height of ferocity (anger) on someone with/without some specific reason. What did you feel like speaking to or doing with that person?
02. Have you ever felt tremendous drive to hit or murder someone? When? Why? How? Elucidate.
03. Have you ever felt like committing suicide? Was it just a passing thought or you were serious? What propelled you to think so? Describe your experience (although momentary) of suicidal tendency.
04. Write about the scariest of your dreams. Have you ever cried or screamed by a bizarre and horrible nightmare? Elaborate.
05. Do you believe in ghosts? Have you ever undergone any experience of supernatural elements? Explain.

Prepare a blog for the given task and share your link in the comment section. The deadline for this task is 19th September 2018 before 11 AM.
All the best!!!!

Wednesday, March 14, 2018

Heidi - Three Years She Grew in Alps



Heidi – ‘Three Years She Grew’ in Alps




"Three years she grew in sun and shower,
Then Nature said, "A lovelier flower
On earth was never sown; 
This Child I to myself will take; 
She shall be mine, and I will make 
A Lady of my own."
- William Wordsworth

Wordsworth's Lucy poems, Thoreau's Walden, Wilde's 'The Selfish Giant'... Ample hyperlinks pop up on the screen of my mind when I wish to put in black and white an amazing movie-watching experience I had this evening.
In 1948, national leaders of India and Switzerland signed a trity of friendship and cooperation in the realms of research, agriculture, aesthetics etc. To celebrate the 70th Friendship Day of these two beautiful countries, the Swiss Ambassy in India has initiated a nation-wide open for all film-viewing program called 'Swiss Films on Wheels' under which Ahmedabad got a privilege to watch an enchanting swiss film called 'Heidi'. It is a step in the direction of heralding values like mutual acceptance and coinhabitation, piety of innocence and value of Nature.
Mr. Chintan Pandya, the pioneer of Fanatika - an Ahmedabad based group for theatrical activities invited me to watch this film and I thank this respected friend for a cherishable experience. 
Heidi - a cute, little, innocent but orphan girl lives with her aunt who then shifts her to her grandfather's home in the countryside. No.... wait, I must avoid spoilers here but to say the least - her life swings just like a pendulum between two extremes - absolutely authentic, soothing, natural life in countryside and artificial, smothering, unnatural life in urban areas. Through Heidi's life shuttling between two polar opposites, the filmmaker has showcased the massive and worldwide diasporic shift from rural life to urban life and the price that we pay for it - loss of innocence and childlike curiosity. Here you don't have to awaken the giant within. Rather you have to awaken the child within. Let it live carefree. Let your childlike nature fly and soar high in sky. Under the disguise of sophistication and civilization, people have turned more pretentious and less transparent, more burdened and less true to life. However, the film at no point sermonizes nor does it become loud, it rather conveys the message subtly. Based on a work of children's fiction with the same title published in 1881 by Swiss author Johnna Spyri, this lovely film brings to us the life of a young girl in her grandfather's care in the Swiss Alps. There have been more than twenty adaptations of the aforesaid book worldwide which includes films, T.V. Series, stage performances etc.
Frankly speaking, I was a little apprehensive about the film while going there due to a pre-conceived notion that watching a film in Swiss German language with English subtitles would divide my attention between scenes and subtitles, marring the charm. Luckily, my conjecture was proven wrong (as was the case with an amazing Marathi film 'Natsamrat').
But what's so special about this film?

It has an inexplicable emotional appeal to one's heart (if one has something more than just a blood-pumping device on the left side of the chest.). The girl is accustomed to live in the lap of Nature with apparently harsh but affectionate company of her grandpa. It is an absolute bliss to see her running with her arms stretched on the lush green slopes of mountain. Goats and swan are her companions, grumpy grandpa (who looks like Santiago of The Old Man and the Sea) is her caretaker, Peter - a raw and rustic but believably innocent goatherd is her friend and above all - NATURE is her world.

                                         (Heidi with her best buddy Peter)

                          (Heidi with her beloved Grandpa)

However, the season of ecstasy does not last long for her. When she is shifted to a high-profile, rich, urban family in Frankfurt as a companion of a differently abled girl.... Oh, wait! I must not spill the beans. Right? Let's construe various aspects of the film. To begin with dialogues, there isn't much use of flowery language, irony, punches etc yet there are some statements which would reverberate in spectator's mind even after going home. Such as,

"You have to make a choice between whether to believe your eyes and ears or to believe what people say."
"If you get joy in doing something, you just have to do it regardless of what people say."

Cinematography is a plus point of the film. The way the camera captures various locations is appealing - be it goats grazing the grass on hillside or an eagle hovering in the sky or the hustle and bustle of market in the city. Although there isn't any song in the film, the background score is perfectly in harmony with the tone and ambience of the film.
Plot construction is quite coherent except a few scenes in the second half where fantasy eclipses realism and hence it makes some happenings unconvincing. However, considering holistic appeal and genre of the film, such anomalies can be given benefit of doubt.
Performance is one of the most potent elements of the film. Heidi is a sweet little girl with 24 carate pure smile and pious heart, grandpa is an angry old man with a tender heart, governess of Klara is a typical, snobbish lady... - all thanks to the effortless performances of actors. So casting plays a vital role in the success of the film.
Is there any symbolism in the film? Yes. An eagle flying high in the wide open sky and Heidi mimicking it, signifies freedom that Heidi and even Klara yearn for throughout the film. Roughly speaking, the eagle appears thrice in the film:-
At the beginning (Heidi on the mountain)
At the middle (Heidi in the city)
At the end (Heidi again in the countryside)
This signifies a remarkable symmetry of the plot construction. When Klara secretly brings home three kittten which she bought from the market, her governess is panicked. Her bewildered behaviour and allergic sneezing represent her extreme detachment from Nature. Large gates of home are heavily bolted blocking rain or dead leaves or even a breeze entering home. Heidi's frequent attempts to open up windows can be interpreted as Nature knocking the doors of people living life of pretentiousness in urban areas. Recurrence of goats, swan, eagle, kitten etc underline the contrast of countryside v/s urban life. No wonder why Heidi sleepwalks and dreams of grandpa and eagle when she is in the golden cage of Klara's home. Her angst as a misfit to aristocratic life and yearning for home reminds me of Ishan Avasthy at the boarding school in the film 'Taare Zameen Par'. As Wordsworth said:- "Child is the father of the man.", Heidi - Nature Personified - plays catalytic role in transforming lives of surrounding characters. Whether it is grandfather or Klara or Peter - the Midas touch of Heidi rejuvenates every life. Her goodness, tenderness, selfless acts, love for the living beings etc make the eyes moist and at the end of the film, we carry home a little bit of Heidi in our hearts.
To sum up in just one sentence:- Watching 'Heidi' feels like someone gently brushing a feather of peacock on our cheeks. Period. 


                                                                  
            -       Dr. Jay Mehta
            Written on 10-11 March 2018